Stanza One: Starts with I love a sunburnt country, which is the exact fetch of the second stanza in the skipper meter by Dorothea Mackellar. This circumstance proposition stanza (from the original) is the most oem by Oscar Krahnvohl like environmental issues, macrocosm issues, hea and thenish issues and politicwell-known, and by Oscar starting with this particular line, he exposes the nobleness of the forward poem, tho the next few lines start as a parody from the influence of the previous poem. In this stanza at that place are very similar lines towards the original for e.g. A write win of open drains to the original A visit of sweeping plains. Oscar talks or so the urban sprawl crossways the country, with references to taking over land that was once a gull of nature to busy towns, buildings macrocosm built and the spread of investors approaching from overseas. Oscar still uses the structure of the original with the lines rhyming in the places on the same lines ; which make this stanza and poem very enjoyable to read. Stanza two: This stanza is particularly about the nature and wildlife which is obvious to the reader as it starts of with, a nature-loving country...
but the message is then changed after the line Beneath whose flamboyant wattles, which are an Australian identity in the bush, he overly suggests that beneath the wondrous witness of the wattles there are creeks fill with newspapers and broken bottles. Oscar also uses a very blunt but concerned tone in these two lines, he uses spoken communication to show his offense at how much the environment has been cluttered in. In the live three lines of this stanza it tells us of the ho t weather, Still whose cities chafe, and how! most of the everyday piddle (beaches, lakes etc.) are relatively safe to bathe in... If you sine qua non to grow a full essay, order it on our website:
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